This ticket is for entry into the permanent collections including the Claude Monet's Water lilies rooms and the temporary exhibitions:
- 2 March – 14 July 2022 : Impressionnist Decoration
- 2 March – 5 September 2022 : Ange Leccia · (D') Après Monet

Compulsory reservation of a time slot.

Free of charge reservation for:

• Holders of a non-time stamped admission: Tickets from third-parties vendors, Paris Museum Pass.
• Beneficiairies of a free admission (on presentation of proof of entitlement): those under 18 years old, EU citizens aged between 18 and 25 years, students of art history, people with disabilities (and any accompanier), jobseekers, ICOM card.
• Full list of entitlements at musee-orangerie.fr

The Enfant et compagnie (Child & Co) fee is for accompaniers (2 adults at most) of a youngster under 18 years old (resident of the EU).

Free Admission for all visitors on the first Sunday of each month, with an obligatory reservation only.

Exceptional night openings on Fridays, March 25, April 29 and June 24, 2022

Ticket for individual visitors only.
For a group visit (from 7 visitors), please book your admission at:  musee-orangerie.fr

Guided tour

Mondays and Saturdays at 2:15pm

Musée de l'Orangerie. Length of visit: 90 minutes

Discover the new presentation of the Musée de l’Orangerie collection, from the large-scale Water Lilies decoration by Claude Monet to École de Paris [School of Paris] in the early 20th century artists - Picasso, Douanier Rousseau, Derain, Modigliani, Matisse, ... The exceptional loan of a set of African and Oceanian sculptures, previously in the Paul Guillaume collection, by the musée du quai Branly - Jacques Chirac, as well as several drawings and archives, enhanced the itinerary.

English language tour

Marry Me in Bassiani 

Monday May 30, 2022 – 7pm and 8:30pm

Musée de l'Orangerie. Water Lilies Room

From choreographic art to film making, through performance or the designing of visual installations, the artists of the collective (LA)HORDE happily evolve on different grounds. After looking at “post-internet” dances, the young trio became interested in a current of protest that emerged in Georgia via dance.

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